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WOMEN AND
MAGIC

By Sue-Anne Webster
The impact of the film
industry has had a powerful effect on the world. It has not
necessarily been used as a reflection of society, but rather
a trend setting devise for large-scale gain and profit. It
has identified women in roles other than “home makers”,
having them seen in trousers and taking on mannish
characteristics, exploiting sex and playing roles previously
dominated by men. Women were still brazenly encouraged as
the “home maker” as late as the 1950’s but, the invention of
the world changing contraceptive pill allowed women to
fulfill the “fashionable” trend of being financially
independent. They began taking advantage of their newfound
“freedom” to make choices never before possible in history.
Women were finally able to choose career and family,
whenever and however they liked..
Entertainment is generally
viewed as an integral part of most cultures, but has never
been more glorified in western society as it is today. It is
an industry that now sees millions (even billions) of
dollars line the pockets of top money earners. Actors and
singers are the usual beneficiaries, but even magicians can
enjoy benefits and opportunities brought about by corporate
events and public appearances.
Women make up an extremely
small percentage of the magic industry, even though they are
just as interested in magic as men. Apart from the fact that
only 45 years has passed since a woman was free to make a
solid career choice, magic does seem to have the same
attraction, nor the same financial benefits as other fields
of entertainment.
Thanks to cyberspace, it’s no
longer difficult to lay hands on just about any magic secret
or tool of the trade and it’s just as easy to find potential
mentors, colleagues and supporters. The magic community had
a reputation for being a closed brotherhood but of late,
many men in magic seem to be quite happy to share their
knowledge and experience in magic with a colleague who is
genuinely interested and passionate, regardless of gender.
So, through changing times and attitude, women are being
accepted more by their colleagues as magicians. But, the
answer as to why there are so few women today performing
magic is an interesting area of study.
Many thoughts have been
expressed on this topic, and to some extend may be true. In
my own experience I can only express my own views and they
by no means represent women in general.
Personally, I love magic and
I believe I understand its’ principles. I particularly love
inventing new tricks and creating new presentations for old
ones to suit my own style. I have a need for the trick to
make sense and be relevant to the audience and preferably
involve them emotionally and sometimes physically. So all
the same passions and likes are there for me as they are for
a male, but I find it hard to focus long, hard hours on non
relevant areas of magic that I probably will never use when
the housework has to be done.
Fortunately, I have a husband
who is equally keen as I not to have children. It would be
difficult for me to stop work for a while with no paid time
off work for child rearing and no royalties (which are more
prevalent in other fields of entertainment) to keep food on
the table. Some women have a husband who works a more stable
career. Even so, when magicians take time off work, clients
can and will forget them. Finally, I am thankful in having a
husband who is a magician, or it would be terribly difficult
for me to session with mainly male magicians long into the
night without probing personal questions.
Females in magic
entertainment are naturally thought of by the public as
assistants, only because of the way they were formally
involved in the act by male magicians. The public is quite
willing to accept a female who performs magic in her own
right. Women make up more than half of those involved in the
mystical arts of pagan practices, and fantasy tales abound
with women possessing supernatural powers. So, it is not
such a big step for the public to accept a woman as a
magician. But, for a woman to look and be comfortable in her
role as ‘magician’ is another story.
Originality is imperative to
any magician, but common sense dictates that a woman needs
to tailor magic to herself for the performance to be totally
successful. The general public will react differently to a
woman in the role of a magician than to a man so, since
people are generally summed up in the first few seconds of
meeting, time spent in understanding power roles between
women and men is important. A female magician’s appearance
is different to a man as is her approach, delivery and
presentation of a trick.
Personally, apart from
getting the magic right, I focus on my appearance. I study
my character and exactly what I want to portray to the
audience. For me, I find that excessive sparkly accessories
and revealing outfits distract from the magic if not used in
context to the act. Few men concentrate on tricks when they
see a cleavage and women just get upset that their partners
look at the flesh flashing before them. It gives the wrong
impression of who I am and what I do. I found that drama
lessons helped enormously with stage and close-up
presentations.
Many women love to study
drama, movement, voice and other related skills such as
mime, puppetry, scripting, themes, story lines and comedy.
Drama studies can be encouraged to enhance stage presence
and increase the effectiveness of a trick. A good
performance will also increase the chances of an audience
remembering your name.
Women have many more choices
than ever before in history. They are beginning to surface
in magic for a number of reasons. As time goes by and social
attitudes change, women will find it easier to carve a
career in magic. Better wages for entertainers, greater
communication, transport facilities, conveniences and
support from male and female peers all make it easier for a
woman to indulge in this form of entertainment.
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Copyright Magic Unlimited 2005
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